{"id":8,"date":"2016-02-13T14:54:14","date_gmt":"2016-02-13T13:54:14","guid":{"rendered":"http:\/\/nourasalia.com\/?page_id=8"},"modified":"2024-02-25T14:29:59","modified_gmt":"2024-02-25T13:29:59","slug":"biographie","status":"publish","type":"page","link":"https:\/\/nourasalia.com\/index.php\/biographie\/","title":{"rendered":"Biographie et Contact"},"content":{"rendered":"\r\n
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EN\/Nour Asalia<\/strong>, a Syrian artist and researcher born in 1984, reside in France since 2011. She graduated from the Faculty of Fine Arts in Damascus, specializing in sculpture, and earned a doctorate degree in the Aesthetics of Plastic Arts from the University of Paris VIII for her research on fragility in sculpture.<\/p>\r\n

As a sculptor and collagist, Asalia’s work is inspired by her early memories with her taxidermist father. Her sculptures explore the fragility of the human body, often mummifying its parts in resin or wrapping them in transparent fabric and juxtaposing them with organic elements like feathers and flower petals and thin branches. As such she is preoccupied with concepts of both time and material. As for her collage works, they do not deviate from the concepts of fragility, whether through subject matter or treatment. She stitched images of eyes, covered her self-portraits within rice paper envelopes, and added prominent dots of hot paste to images of eyes and female body parts to express tears. She also rolled down Bundles of thread from eyes and hands. \u00a0In her collage works, Asalia stitches images of eyes, encloses self-portraits in rice paper envelopes, and adds dots of hot paste to convey tears. She also experiments with abstraction, leaving circles of string floating in transparent resin to create formations resembling landscapes.<\/p>\r\n

In addition to having authored a theory of the aesthetics of fragility, her research work is particularly interested by Syrian art and its archive as part of her work as an editor and principal researcher with the Atassi\u00a0<\/a><\/span> Foundation.<\/p>\r\n

In 2021, she received a grant from the French Ministry of Culture for her artistic project L’image pour les visually impaired and a grant from Ettijahat independent culture for her research on (Syrian art after 2011), in 2020 a support grant for the creation on the part of the\u00a0Academy of Fine Arts, in 2019 a scholarship from the\u00a0Antoine de Galbert Foundation\u00a0for his doctoral research on\u00a0Fragility in sculpture.<\/p>\r\n

CV Download<\/strong><\/span><\/a><\/p>\r\n

FR\/ Nour Asalia<\/strong>, artiste et chercheuse syrienne n\u00e9e en 1984, r\u00e9side en France depuis 2011. Elle est dipl\u00f4m\u00e9e de la Facult\u00e9 des Beaux-Arts de Damas, sp\u00e9cialit\u00e9 sculpture, et a obtenu un doctorat en Esth\u00e9tique des Arts Plastiques de l’Universit\u00e9 Paris VIII. pour ses recherches sur la fragilit\u00e9 en sculpture.<\/p>\r\n

En tant que sculpteur et collagiste, le travail d’Asalia s’inspire de ses premiers souvenirs avec son p\u00e8re taxidermiste. Ses sculptures explorent la fragilit\u00e9 du corps humain, momifiant souvent ses parties dans de la r\u00e9sine ou les enveloppant dans un tissu transparent et les juxtaposant avec des \u00e9l\u00e9ments organiques comme des plumes, des p\u00e9tales de fleurs et de fines branches. En tant que telle, elle est pr\u00e9occup\u00e9e par les concepts \u00e0 la fois de temps et de mati\u00e8re. Quant \u00e0 ses \u0153uvres de collage, elles ne s\u2019\u00e9cartent pas des notions de fragilit\u00e9, que ce soit par le sujet ou le traitement. Elle a cousu des images d’yeux, a recouvert ses autoportraits dans des enveloppes en papier de riz et a ajout\u00e9 des points pro\u00e9minents de p\u00e2te chaude aux images d’yeux et de parties du corps f\u00e9minin pour exprimer ses larmes. Elle a \u00e9galement roul\u00e9 des paquets de fil des yeux et des mains. Dans ses \u0153uvres de collage, Asalia assemble des images d’yeux, enferme des autoportraits dans des enveloppes en papier de riz et ajoute des points de p\u00e2te chaude pour transmettre des larmes. Elle exp\u00e9rimente \u00e9galement l’abstraction, laissant des cercles de ficelle flotter dans de la r\u00e9sine transparente pour cr\u00e9er des formations ressemblant \u00e0 des paysages.<\/p>\r\n

En plus d’\u00eatre l’auteur d’une th\u00e9orie de l’esth\u00e9tique de la fragilit\u00e9, ses travaux de recherche s’int\u00e9ressent particuli\u00e8rement \u00e0 l’art syrien et \u00e0 ses archives dans le cadre de son travail d’\u00e9ditrice et de chercheuse principale \u00e0 la Fondation Atassi.<\/p>\r\n

Elle a re\u00e7u en 2021 la subvention du\u00a0minist\u00e8re fran\u00e7ais de la culture pour<\/strong> son projet artistique\u00a0L\u2019image pour les malvoyants\u00a0<\/em>et la bourse de\u00a0Ettijahat independant culture<\/strong>\u00a0\u00a0pour sa recherche sur (l\u2019art syrien apr\u00e8s 2011), en 2020 une bourse de soutien pour la cr\u00e9ation de la part de\u00a0L\u2019Acad\u00e9mie des beaux-arts<\/strong>, en 2019 une bourse de la\u00a0fondation Antoine de Galbert<\/strong>\u00a0pour sa recherche en doctorat sur\u00a0La Fragilit\u00e9 dans la sculpture<\/em>.<\/p>\r\n

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\u00a0Repr\u00e9sent\u00e9e par<\/span><\/span><\/strong><\/p>\r\n

\u00a0Les Portes ouvertes sur l’art ici <\/a><\/strong>La Fondation Atassi ici <\/a><\/strong>Safir ici <\/a><\/strong>La galerie Litehouse ici <\/a><\/strong>\u00a0Radical care initiative ici <\/strong><\/a>Travers artistes de Normandie ici<\/a><\/p>\r\n

Contact:<\/strong><\/p>\r\n

E-mail <\/strong>nourasalia@yahoo.com<\/p>\r\n

Facebook <\/strong>\u00a0nour.asalia.sculpture<\/a><\/p>\r\n

Instagram<\/strong>\u00a0instagram.com\/asalia_nour<\/a><\/p>\r\n

Twitter<\/strong>\u00a0twitter.com\/N_ASALIA<\/a><\/p>","protected":false},"excerpt":{"rendered":"

EN\/Nour Asalia, a Syrian artist and researcher born in 1984, reside in France since 2011. She graduated from the Faculty of Fine Arts in Damascus, specializing in sculpture, and earned a doctorate degree in the Aesthetics of Plastic Arts from the University of Paris VIII for her research on fragility in sculpture. As a sculptor […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/pages\/8"}],"collection":[{"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":71,"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":1301,"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/pages\/8\/revisions\/1301"}],"wp:attachment":[{"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}