{"id":820,"date":"2021-07-24T19:58:20","date_gmt":"2021-07-24T18:58:20","guid":{"rendered":"https:\/\/nourasalia.com\/?page_id=820"},"modified":"2023-10-17T12:36:44","modified_gmt":"2023-10-17T11:36:44","slug":"820-2","status":"publish","type":"page","link":"https:\/\/nourasalia.com\/index.php\/820-2\/","title":{"rendered":""},"content":{"rendered":"\r\n<h6 style=\"text-align: center;\"><strong>La sc\u00e8ne artistique syrienne<\/strong><\/h6>\r\n<h6 style=\"text-align: center;\">The Syrian art scene<\/h6>\r\n<h6 style=\"text-align: center;\"><strong>\u0627\u0644\u0645\u0634\u0647\u062f \u0627\u0644\u0641\u0646\u064a \u0627\u0644\u0633\u0648\u0631\u064a<\/strong><\/h6>\r\n<p>&nbsp;<\/p>\r\n<p>&#8211; <strong>\u00ab<\/strong><strong>Modern and Contemporary Syrian Art : Criticism, History, and Philosophy: An Overview\u00bb<\/strong> February 28, 2022, <a href=\"https:\/\/www.atassifoundation.com\/features\/modern-and-contemporary-syrian-art\">Atassi Journal.<\/a><\/p>\r\n\r\n\r\n\r\n<p><strong>-\u00abLe corps f\u00e9minin dans l\u2019art, Exp\u00e9riences plasticiennes syriennes contemporaines.\u00bb\u00a0 <\/strong>essai dans le livre <a href=\"http:\/\/nourasalia.com\/wp-content\/uploads\/2021\/11\/243911161_4491371604282439_6024557270987043658_n.jpeg\">\u00ab\u00a0Images de chair et de sang, Penser le corps en Syrie (2011-2021)\u00a0\u00bb,<\/a> sous la direction de Nibrass Chehayed, presse de l&rsquo;institut fran\u00e7ais du Proche-Orient, 2021.<\/p>\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<p><a href=\"http:\/\/nourasalia.com\/wp-content\/uploads\/2020\/10\/%D8%A7%D9%84%D8%B9%D9%86%D9%81-%D8%A7%D9%84%D8%A8%D8%B5%D8%B1%D9%8A-%D9%81%D9%8A-%D8%A7%D9%84%D9%81%D9%86-%D8%A7%D9%84%D8%B3%D9%88%D8%B1%D9%8A-%D8%A7%D9%84%D9%85%D8%B9%D8%A7%D8%B5%D8%B1.pdf\">\u0627\u0644\u0639\u0646\u0641 \u0627\u0644\u0628\u0635\u0631\u064a \u0641\u064a \u0627\u0644\u0641\u0646\u060c \u0642\u0631\u0627\u0621\u0629 \u0641\u064a \u0627\u0644\u0645\u0634\u0647\u062f \u0627\u0644\u062a\u0634\u0643\u064a\u0644\u064a \u0627\u0644\u0633\u0648\u0631\u064a \u0627\u0644\u0645\u0639\u0627\u0635\u0631<\/a>\u060c \u0641\u064a \u0627\u0644\u0639\u062f\u062f\u0661\u0662 \u0645\u0646 \u0645\u062c\u0644\u0629 \u0642\u0644\u0645\u0648\u0646\u060c \u064a\u0648\u0646\u064a\u0648 \u0662\u0660\u0662\u0660<\/p>\r\n\r\n\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n<p><strong>\u00abLe Paon de Walid EL MASRI<\/strong><strong>\u00bb<\/strong> novembre 2018.<a href=\" http:\/\/nourasalia.com\/wp-content\/uploads\/2021\/07\/le-paon-F-A-docx.pdf\"> http:\/\/nourasalia.com\/wp-content\/uploads\/2021\/07\/le-paon-F-A-docx.pdf<\/a><\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><strong>\u00abLes Aquarelles de Walid EL MASRI<\/strong><strong>\u00bb<\/strong> 2017 pdf<a href=\"http:\/\/nourasalia.com\/wp-content\/uploads\/2018\/06\/AQUARELLES.pdf\">http:\/\/nourasalia.com\/wp-content\/uploads\/2018\/06\/AQUARELLES.pdf<\/a><\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><strong>\u00abSur les oeuvres de l\u2019artiste Mohamad Omran<\/strong><strong>\u00bb<\/strong> 2017 Traduction en fran\u00e7ais par Dr.Marie Elias<\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><a href=\"http:\/\/nourasalia.com\/wp-content\/uploads\/2018\/06\/Mohamad-Omran.pdf\">Mohamad Omran<\/a><\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><strong>\u00abLibert\u00e9 d\u2019illusion\u00bb<\/strong> pr\u00e9sentation de l&rsquo;exposition de Dino Ahmad Ali, 2015.<\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><a href=\"http:\/\/nourasalia.com\/wp-content\/uploads\/2018\/06\/Libert\u00e9-d\u2019illusion-exposition-de-Dino-Ahmad.pdf\">Libert\u00e9 d\u2019illusion exposition de Dino Ahmad<\/a><\/p>\r\n<p><strong>\u00ab La violence visuelle dans la sc\u00e8ne artistique syrienne contemporaine \u00bb<\/strong> Intervention au s\u00e9minaire : Sciences sociales et conflit(s) en Syrie : enjeux \u00e9pist\u00e9mologiques, m\u00e9thodologiques et \u00e9thiques, \u00e0 l&rsquo;EHESS,\u00a0 janvier 2019\u00a0 <a href=\"https:\/\/shakk.hypotheses.org\/category\/ehessh\">https:\/\/shakk.hypotheses.org\/category\/ehessh<\/a><\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><strong>\u00abThe Question of Medium in Contemporary Syrian Sculpture<\/strong><strong>\u00bb<\/strong> \u00a0The Journal of Atassi foundation , septembre 2018<a href=\"https:\/\/www.atassifoundation.com\/the-journal\/issue-3-sculpture\/features\/long-read\">http:\/\/www.atassifoundation.com\/the-journal\/issue-32\/features\/long-read<\/a><\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><strong>\u00abViolence visuelle contre violence du r\u00e9el\u00bb <\/strong> dans OrientXXI, ao\u00fbt 2018 <a href=\"https:\/\/orientxxi.info\/lu-vu-entendu\/syrie-violence-visuelle-contre-violence-du-reel,2564\">https:\/\/orientxxi.info\/lu-vu-entendu\/syrie-violence-visuelle-contre-violence-du-reel,2564<\/a><\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><strong>\u00abSyrian Art in Paris\u00bb<\/strong> The Journal of Atassi foundation , ao\u00fbt 2020 <a href=\"https:\/\/www.atassifoundation.com\/features\/syrian-art-in-paris\">https:\/\/www.atassifoundation.com\/features\/syrian-art-in-paris <\/a><\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>\r\n\r\n<\/p>\r\n<p><strong>\u00abArtistes syriens, du militantisme \u00e0 la d\u00e9sesp\u00e9rance\u00bb <\/strong>\u00a0sur le site OrientXXI , janvier 2019 \u00a0<a href=\"https:\/\/orientxxi.info\/lu-vu-entendu\/artistes-syriens-du-militantisme-a-la-desesperance,2872\">https:\/\/orientxxi.info\/lu-vu-entendu\/artistes-syriens-du-militantisme-a-la-desesperance,2872<\/a><\/p>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>La sc\u00e8ne artistique syrienne The Syrian art scene \u0627\u0644\u0645\u0634\u0647\u062f \u0627\u0644\u0641\u0646\u064a \u0627\u0644\u0633\u0648\u0631\u064a &nbsp; &#8211; \u00abModern and Contemporary Syrian Art : Criticism, History, and Philosophy: An Overview\u00bb February 28, 2022, Atassi Journal. -\u00abLe corps f\u00e9minin dans l\u2019art, Exp\u00e9riences plasticiennes syriennes contemporaines.\u00bb\u00a0 essai dans le livre \u00ab\u00a0Images de chair et de sang, Penser le corps en Syrie (2011-2021)\u00a0\u00bb, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/pages\/820"}],"collection":[{"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/comments?post=820"}],"version-history":[{"count":37,"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/pages\/820\/revisions"}],"predecessor-version":[{"id":1279,"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/pages\/820\/revisions\/1279"}],"wp:attachment":[{"href":"https:\/\/nourasalia.com\/index.php\/wp-json\/wp\/v2\/media?parent=820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}